Bone White
A natural white, not snow white. No pigment added: the raw colour of our concrete blend. Sits naturally with timber, oak, and warm interiors.
Available in: All ranges
01 / Studio Classics
Studio Classics
The studio's signature greys and whites: Bone White, Light Grey, Mid Grey, and Dark Grey. Our most ordered pigments; reads architectural in any light, sits well against timber, brass, marble, and travertine. Light Grey is the signature. The same palette runs across the full range of concrete furniture.
Browse white concrete furniture ›Light Grey
The studio's signature neutral. Pale cool grey; reads architectural in daylight and sits well against timber, brass, marble, and travertine.
Available in: All ranges
Mid Grey
A deeper neutral. Anchors a room without heaviness; works across timber, oak, and warm-toned interiors.
Available in: All ranges
Dark Grey
Deep slate grey. Reads architectural indoors, weathered stone in daylight.
Available in: All ranges
02 / Statement Colours
Statement Colours
Earth-toned and accent pigments: Oyster, Brulee, Buff, Clay, Raw Umber, Sage, Terracotta, Mustard, and Desert Red. Mediterranean and grounded; warm against timber and oak, bold against painted walls and limewash.
Oyster
Pale greige. The lightest warm pigment.
Brulee
Soft buttery cream. Warm undertone; pairs with brass, oak, and walnut.
Buff
Pale apricot with grey warmth. Soft against timber and linen.
Clay
Pale dusty dirt tone. Muted and earthy; reads sun-faded against timber.
Raw Umber
Muted grey-dirt. Earthen and softened; reads as wet stone.
Sage
Soft sage with grey undertones. Sits well against timber and weathered brass.
Mustard
Saturated yellow-brown. Architectural against concrete walls.
Terracotta
Warm orange-red. Bold and Mediterranean.
Desert Red
Dusty red-orange with grey warmth. The studio's boldest pigment.
03 / Process
Custom Pigment Matching
Bring a chip, a fabric sample, a paint code (Dulux, Porter's), or a reference image. We cast a sample tile in your custom pigment and post it for sign-off before the main pour. Custom pigments add a small premium and a week to the standard lead time. Almost any colour is achievable; we'll flag if a brief is genuinely outside the range.
Pigment / Studio philosophy
The pigment is the material. Not a coating.
We don't dye or stain finished concrete. The pigment is batched into the composition before pour and runs the full depth of the cast. Chip the surface, knock an edge: the colour underneath is the same as the colour you bought.
Studio-batched, UV-stable, sealed against ordinary household marking. Sample tiles posted on request: no charge for a single tile in any statement pigment.
Common Questions
Concrete colours: what people ask.
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How are SnapCo's concrete pigments different from cement dye? +
We don't use surface dyes or stains. Pigments are studio-batched into the composition before pour, so the colour is the material itself, not a coating. The pigment is integral to the cast: a chip or scratch reveals the same colour underneath, not a different substrate.
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Will the colour fade in sunlight? +
Pigments are UV-stable; the studio seal carries a UV-stabiliser; outdoor pieces hold their colour in full Australian sun for years with minimal change. Indoor pieces hold their colour indefinitely. Whites warm slightly toward bone over a decade in full sun (most clients welcome this).
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Can I get a custom pigment matched to a colour I have? +
Yes. Bring a chip, a fabric sample, or a paint code (Dulux and Porter's both work). We cast a sample tile in your custom pigment and post it to you for sign-off before the main pour. Custom pigments add a small premium and a week to the lead time.
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Do darker pigments cost more than lighter ones? +
Same studio price for the statement palette regardless of pigment family. Custom or rare pigments (oxblood, deep ultramarine, copper) carry a small premium because of pigment cost itself.
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Are pigments consistent batch to batch? +
Studio-batched, which means a Slate we cast next month should match the Slate you ordered last month within a sub-percent tolerance. For very large commissions (twenty-plus pieces), we cast in one continuous batch to remove any batch variance entirely.